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Sensography Type Conference

MY FOUNDATION

One of the reasons I became a graphic designer was my love of typography. Through school, I have learned a lot of the rules and creative possibilities of the medium. A good designer can utilize expressive type so effectively that you can't help but fall under its hypnotizing spell as you helplessly feel what the designer intended you to experience. After learning a galaxy of typography rules, I found myself setting type that was very functional and readable but started losing its expressive qualities. This made it clear that a conference focused on experimental typography more than a worthy endeavor. 

MY PATH

Our senses are everything. Our senses have perceived all that we've done, felt, or thought. Examining these became the best vehicle for understanding how we experience typographic expression. It is a fallacy that human only have five sense. Scientists currently estimate that we have around 21 senses in total. This book runs down this full list of 21 human sense by explaining them with a full-spread exploration of how typography can be used to express each one. Through such experimentation, we begin to see how awareness of these senses help our typographic expression.

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